Thursday, September 24, 2009

The Future Few...

I re-examined a few films this weekend that centered around trying to change the future. And, oddly enough, didn’t realize this until sitting down to review them. You would have thought I would have seen this coming…


Minority Report

directed by: Steven Spielberg

starring: Tom Cruise, Collin Farrell, Samantha Morton, Max von Sydow

Rated PG-13 for violence, brief language, some sexuality and drug content.

The first two acts of compelling and intriguing storytelling is nothing but solid sci-fi fun for Spielberg and company. It has great visuals, unbelievable production design, beautiful cinematography, and great performances from the cast, especially Samantha Morton (but even Collin Farrell and Tom Cruise are good.) Unfortunately, the last act loses the tension and structure of the first two acts, leaving you slightly disappointed with the final result. Despite these issues, I do think it’s one of my favorite Spielberg films; it’s a fast paced (until the end), science-fiction detective story that is as much fun as it is thought provoking. And, although it’s not a perfect film, the movie, itself, reminds us that “everything has a flaw.” Minority Report only has a few.



Déjà Vu

directed by: Tony Scott

starring: Denzel Washington, Val Kilmer, Paula Patton, and Jim Caviezel

Rated PG-13 for intense sequences of violence and terror, disturbing images and some sensuality.

After watching Minority Report, I wanted to follow it up with another science-fiction-detective-action film. And, after watching Déjà Vu, I realized it was a déjà vu of Minority Report. The stories are similar in respect to themes and genre, both are exciting, mind-bending, funny, and you get emotional invested in the characters. However, it also has similar weaknesses in structure and villains. In Déjà Vu, we are left with a very weak nemesis in Jim Caviezel, one that you never really think is above Denzel Washington's surmounting ability; it’s as if Denzel is fighting against the concept of a closed fate more than he is against Caviezel's terrorist. This is added to a handful of other small issues and offensive content, and yet Déjà Vu still comes out a enjoyable film. And, like some other works of Tony Scott, the movie has a definite appreciation for the spiritual realm, from Denzel’s arguments about God’s will (that he later names “fate”) to the confession of the top scientist (played by the terrific Adam Goldberg) saying “I also believe in God… just don’t tell anybody." It's a mind-bending adventure that’s worth viewing more than once.



Back to the Future (Part 1)

directed by: Robert Zemeckis

Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover

Rated: PG (although it would probably be rated PG-13 today)

In re-watching one of the classic blockbusters of the 1980s, I realized how much my movie tastes have changed over the years. I couldn’t help but compare it to other classic films of the eighties, Star Wars or Indiana Jones, and notice something interesting; at a film’s core is it’s story. Back to the Future has a creative concept, and there’s the glitz of special effects, the hysterical one-liners, and the good-looking actors and actresses. But, when the hair styles and clothing change, lines lose their potency, and special effects become out-of-date, we’re simply left with the quality of the story and storytelling. Back to the Future isn’t bad, and it will certainly be a classic blockbuster of the 1980s, but I think it’s a film that you would have to travel back in time to fully enjoy. Otherwise, it’s just another out-of-date blockbuster with little purpose or lasting affect.

Sunday, September 6, 2009

Gigantic and Tyson


Gigantic

directed by: Matt Aselton

starring: Paul Dano, Zooey Deschanel, John Goodman, Ed Asner

rated: R for language, some sexual content and violence

This small independent film features some original characters and a creative premise, but the film’s title seems to mirror it’s fatal flaws: it’s gigantic proportions. Sure, it’s entertaining to see the cast of oddballs, but is there anyone who is real enough to be relatable? Or, can we stop trying to tackle every genre, and actually decide if it’s a comedy, drama, or thriller? Even a basic three-act plot is too much to ask for in this film. It wants to be taken seriously so much that you feel it simply doesn’t say or do anything. Smaller and simpler would have been a better choice.



Tyson

directed by: James Toback

starring: Mike Tyson

Rated: R for language including sexual references

The west’s obsession with celebrities can be as hate-fueled as it is joy-filled. No one understands this more than Mike Tyson, the boxing phenomenon turned hated animal. The recent documentary plots Tyson’s story from his own eyes, from his youth, to the fighter, to the controversial and hated figure. The film isn’t too extraordinary, but does seem to capture Tyson’s inner turmoil and jarred mind. However, it also finds the line of being compassionate without beautifying his flaws. It even seems to capture his hopelessness that, while moving, does feel like the end of an E-Hollywood True Story. It’s intriguing and emotional, but no different than that of a really good Barbara Walters’ interview.